FRESHMAN YEAR & OTHER UNNATURAL DISASTERS was your first novel. What big takeaway messages would
you give to writers around the following themes:
- Craft
This is a tricky one. I think the best way to perfect the craft of
writing is to read, read, read. See how lots of different writers use words,
voice, etc. An editor will help hone your work, but the essence of it has to
come from you. And the more you read and write, the better you get.
- Seeking representation
DO YOUR HOMEWORK. Pretty much everything you could want to know is
online - there’s no excuse for not using the Internet as a tool to be as
specific with your queries as possible. For example, pitch to agents that are
looking for what you’re writing (ie, don’t send a fantasy novel to an agent who
doesn’t rep fantasy novels). Don’t send a full manuscript to an agent who wants
a first chapter and a summary. Learn how to write a great cover letter, and
personalize it for each pitch; respect the fact that you are asking a real
person to engage with you, and that person won’t want to feel like he or she is
getting a generic query. It’s worth your time to customize everything you send
out to whoever you’re sending it to.
- Working with editors/agents
Patience. Patience, patience, patience.
Everything is going to take ten times longer than you think it will - selling
the book, getting notes, receiving your contract. It’s maddening, but reality.
You have to get used to it and find a way to focus on other things while you
wait. And wait. And wait...
- Marketing
This one is kind of depressing, honestly. The biggest thing I
learned is that if you want people to read your book, you have to get the word
out all by yourself - unless you’re JK Rowling, the publisher isn’t going to do
a thing. That was a big surprise to me; I thought selling the book was the
biggest hurdle, and that after that the publisher would set up a great campaign
or something… nope. I had to do pretty much everything all by myself to create
any kind of buzz, and it was hard and exhausting and took an unbelievable
amount of time. That’s just the way it is, and it is pretty frustrating. I was
very lucky to get great responses from bloggers and friends of friends… but I
never anticipated having to be my own PR rep on top of being a writer.
Kelsey feels so relatable. Her voice was one of the strongest I’ve seen lately in YA. What do you think makes for a character who “sticks” long after the final pages are over?
Again, thank you so much!!! Readers relating to Kelsey is really what
the book hinges on, so that’s wonderful to hear. I think a voice that seems
REAL is very important - even if you don’t like the character, being able to
imagine him or her as a real person makes a huge difference.
How did your idea of the publishing process compare to what
it’s really been like?
Oh, man... Well, it’s harder than I anticipated. It’s more
frustrating. I thought it would be smooth sailing with money and a book tour at
the end of the journey, but there was none of that. And yet… it was more
exciting than I’d imagined, too. Holding the first copy of the book in my hands
- actually seeing my name on the cover - was surreal. And because of that
moment (and the emails I’ve gotten from readers, or the joy of reading an
ecstatic review), the disappointing things seem less important.
What can we expect to see from you next?
My second book, Sophomore Year Is Greek To Me, comes out
Spring 2015!
Where can people follow you online?
FY has a facebook page (www.facebook.com/freshmanyearbook), I tweet
at @zeitlingeist, and there’s a website for the book with a blog (that I really
need to start updating more frequently) at www.kelseyfinkelstein.com
Anything else to add?
I’ve had an amazing and eye-opening experience with the
publication of this book, and the best part has been the response from readers.
I’m especially grateful to the YA blogging community for helping me get the
word out!
Thanks to Meredith for answering the questions and to you Sarah for the great interview. Really interesting stuff! I always love hearing author's perspectives on the craft and all the highs --and lows--of the pub industry.
ReplyDelete